Anyone who's been thinking about moving into motion pictures or is thinking about making the move from DSLR stills photography to videography should sit up right now. CreativeLive have just announced that none other than Gale Tattersall will be hosting a filmmaking seminar online on July 8-10. Even better, the live feed and daily re-casts will be completely free, as with all CreativeLive web workshops.
Here's a man on our interview wish-list, but as the following article seems to be Exclusive to the excellent Little White Lies movie mag, I'll grant them the scoop.
Clint Mansell, former Pop Will Eat Itself node and now a much-wanted film composer, talks to James Wright about scoring for the Duncan Jones sci-fi "Moon", as well as his collaborations with Darren Aronofsky. Highly insightful of his creative process and scoring workflow. On that by now popularly borrowed piano, drum fill and string theme Mansell reveals being inspired by a Portishead track to create "a very subliminal part of the film to play on the cloning theme. At the same time you’ve only got one character in Sam, so with each song I tried to make it so that they feel the same but they’ve each got slight unique differences to them."
Great read.
Can tweets land you an Oscar nomination? Ridiculous, you say? Maybe, but a little twitter storm has been highlighting the plight of an independent movie trying to rise above the corporate shadows of its indifferent distributor to orbit the upper echelons of Academy attention. (note to self, write more concise sentences in 2010)
Great things are afoot in cameraland. I'm talking about the capability of the latest DSLR cameras to capture HD video, and at some amazing results. Even entry-level models like the Nikon D90 and the pro-sumer Pentax k7 are allowing anybody to create some dedicated shorts with an array of lenses ranging from fish-eye wide-angle to superzooms. But it is at the High end where a serious departure is being made in moviemaking. Look at videos made with the full-frame Canon 5D mark II, shuch as Shane Hurlbut's Navy Seals project, and you'll see amazing quality already being used for commercials and independent shorts coupled with compact versatility.
And then there's the new Canon EOS-1D mark IV. Yes, it's a pro 16.1 megapixel still camera, but with its Full 1080p HD movie function at 30 frames per second its also a camera for cinematographers who think outside of the box. Explorer of Light Vincent Laforet has had pre-release access to canon's new beast and combining it with pro filmmaking gear such as steadicams, focus pullers and even Arri lenses. To see where all this can lead to watch his Nocturne video, shot entirely in available light on the street of LA, mostly at an incredible 6400 ASA.
Nocturne from Vincent Laforet on Vimeo.
This CD labeling concept by designer Joshua Distler would make a great quiz for music geeks. If you've ever worked with music creation software like midi grandaddy Cubase, Apple's Logic and Garageband or younger cats like Reason and Ableton Live, you'll instantly recognize the pattern as being the waveform visualization based on a tune's volume output. A nice idea, but how many of you out there could recognise a choon by its waveform alone? No, I don't think it will be an instant TV show hit, but some dev could turn this into an iPhone app that visualizes your music library into a guessing game, I guess.
Can you dedicate a post to someone? If so, this one goes out to Claudio and Glenn.
Yesterday evening most of my closest friends were over to drink some wine and have some cake, it being my 36th birthday and all, a very homely affair with kids laughing, running and dancing around. "Look at that," said my mate Zak, standing in the study with my acoustic bass guitar around his neck, pointing at an old picture of us with Jurgen from Jazzanova while I was picking some oodles on a Charrango. After a while he paused for a moment and said "This is what we should be doing all day, making music, creating things, not wasting time at some office." Around that one snapshot were others from times past, and I came to realise that two very good friends were missing from our get-together.
Claudio was some thousand miles away living his happy life with his lady and baby boy, by now running his own one-man creative design company by day and playing gigs with his band HOTEL at night. I've known him since we teamed up at high school, jamming songs in the music room during breaks.The following clip is an amazing rendition of Astor Piazolla's Oblivion by the Corneille Roelofs Trio at Gouvy Jazz in Belgium. It was the band's last performance, two weeks before Glenn's death. If you're reading this, pursue whatever you enjoy doing most, don't let your talents go to waste.
So Ricky Gervais is going to host the Golden Globes next year. Considering the 82nd Academy Awards have a white-haired Clouseau impersonator doing the honours, this might actually be the year the Hollywood Foreign Press Association wins the ratings AND viewership war from AMPAS. Seriously, how witty can Steve's co-host Alec be without Tina Fey? It's Complicated.
But may I just make one suggestion, HFPA? Ricky already has a hilarious double act with a little red monster. No, not that one. Elmo! Watch this clip and tell me the two of them presenting the show in polka-dot pyjamas won't bring the house down..I dare you...